「名コレクション断章」— Prada 1996/Dior Homme 2001/Margiela 1997  いまのワードローブに残る核と意味

"Fragments from Famous Collections" - Prada 1996 / Dior Homme 2001 / Margiela 1997: The Core and Meaning Remaining in Today's Wardrobes

"Fragments from Famous Collections" - Prada 1996 / Dior Homme 2001 / Margiela 1997

The core and meaning that remain in today's wardrobe





Prada 1996|Slightly shifting beauty

Explanation of what happened

Rather than simply amplifying cuteness and elegance, Miuccia Prada deliberately leaves a "step" in color and texture, transforming the sense of incongruity into elegance. Dull colors (brown/olive/mustard) take center stage, juxtaposing retro small patterns and the sheen of nylon at the same temperature. The quiet coexistence of elements with varying degrees of sophistication keeps the sweetness to a minimum, and only the intelligence stands out as the outline.


Key Perspectives


  • We are breaking away from the common belief that "luxury = symmetry" and moving towards the idea of ​​treating different temperatures with the same courtesy.
  • The imbalance in color scheme, pattern, and texture is brought to life as a designed incongruity.



How to incorporate it into your wardrobe today


  • Layer dull colors together, and use white and black sparingly to avoid looking too tidy.
  • The print area should be limited, as if it is being placed on a plain surface.
  • The lightness of nylon and the simplicity of cotton are mixed at the same temperature.
  • After arranging the whole thing, make a small "shift" in one place (either the color scheme, material, or pattern).






Dior Homme 2001 | Fine lines create attitude



Explanation of what happened

Hedi Slimane demonstrated the discipline of creating a single, continuous line across the body, clothing, and accessories. The shoulders are precisely aligned with the body, the waist is gently cinched, and the legs fall in a thin, straight line below the knee. By simply matching the width of the lapels, tie, belt, and shoes, the gaze flows vertically, connecting the outfit to the wearer's movements. Thinness is not a sign of weakness, but rather functions as a quiet tension.


Key Perspectives


  • It goes one step beyond just "fitting the size" and is refined to the point where the lines are seamless.
  • The impression is created by unifying the width rather than the number of colors.



How to incorporate it into your wardrobe today


  • The jacket has a carefully adjusted shoulder width, a length that is not too long, and a lightly shaped waist.
  • For pants, avoid excessive tapering and aim for a straight cut below the knee.
  • The width of the tie, belt, and shoe nose are all uniformly thin and uniform.
  • Based on the three colors of black, white, and gray, the three-dimensional effect is created by varying the texture between matte and slightly glossy.






Margiela 1997|Elevating the Process to Aesthetics



Explanation of what happened

Martin Margiela leaves a subtle trace of his craftsmanship on the surface of the finished garment: symbols evocative of a torso, the simplicity of the canvas, the stitching running along the outside. When these traces of the craftsmanship breathe within the clean form, the garments emerge as a story that includes not only the result but also the process.


Key Perspectives


  • We have relaxed the premise that "only a perfect finish has value" and are presenting verifiable traces of high quality.
  • A balance where roughness and order coexist on the same level.



How to incorporate it into your wardrobe today


  • There are only a few traces: discreet white stitching on the outside and a very thin edge of the raw edge.
  • "Practical fabrics" such as canvas and linen are placed on clean silhouettes.
  • Numbers and small text should be used sparingly as annotations rather than decoration.






Guidelines for proper use (summary)



Prada emphasizes intelligence through a slight shift, Dior Homme emphasizes posture through a straight line, and Margiela adds a story through a trace.

Just one of these steps will quietly update your outfit, adding both sophistication and individuality.





A Spoonful of MOOD



MOOD carefully designs the three operations of shifting, aligning, and leaving traces, based on the axes of elegance, fashion, and genderless. Elements of different temperatures are arranged with the same courtesy, posture is adjusted with a series of lines, and each step of the process is captured like a poem. Not overly expressive, but no shortcuts - we believe that this balance will bring your everyday wardrobe to a higher level of serenity.

MOOD Products

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"JOAQUIN BERAO" Tulip motif lariat necklace

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"Salvatore Ferragamo" 90’s Jewelry gold chain design leather bag

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"CELINE" 00’s Ivana Omagik period tailored jacket

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"Y’s by TAKESHI KOSAKA" 2017 SS relaxed china jacket

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"GUCCI" 80’s checked wool shawl collar jacket

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"ISSEY MIYAKE" 98SS Cotton shrunken tailored jacket

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"FENDI" 90’s-00’s Sculptural belted leopard cat fur collar alpaca coat

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