黒の説得力  “強く見せない強さ”。黒の階調・質感・比率でエレガンスを描くための物語

The persuasive power of black: "Strength without looking strong." A story of how to portray elegance through the gradation, texture, and proportions of black.

Black Persuasiveness

"Strength without looking strong": A story of elegance expressed through the gradation, texture, and proportions of black





The origins of black - from a symbol of abstinence to a symbol of freedom



The meaning of black has been constantly changing throughout fashion history.

Before the 19th century, black was a "color of restraint" that symbolized mourning, religion, and abstinence. However, in the 20th century, Coco Chanel overturned this value. In 1926, she introduced a simple black crepe dress in the American edition of Vogue.

The "little black dress" (LBD) presented the "richness of simplicity" in an era when feminine beauty was only defined by luxury and ornamentation.


After that, black gradually came to symbolize independence and reason. Christian Dior redefined the elegance of black with his "New Look" in 1947 after the war, and Yves Saint Laurent endowed women with "social strength" with "Le Smoking" in 1966.

Their black was never intimidating, but instead embodied intelligence and pride. Black was no longer the color of sadness, but instead became a look of quiet confidence.





Designers who elevated black to art



In the 1980s, fashion rediscovered black.

The "shock of black" that Rei Kawakubo and Yohji Yamamoto showed at the Paris Collection in 1981 was both beautiful and subversive, fundamentally changing the way the world views fashion. Holed knitwear, deconstructed fabrics, asymmetrical cutting. Their black was the very embodiment of the courage to break away from perfection.


In the 1990s, Martin Margiela redefined black with the concept of "deconstruction." Black was a stage for showcasing structure, transforming seams, linings, and even cut lines into beauty. Black began to speak of the "white space in design."


John Galliano took a completely different approach, giving black a fantasy feel. His haute couture during his time at Dior used black lace, satin, and tulle, depicting a romanticism that wove light into darkness. For him, black was not a color of sadness, but a medium for sensuality and lyricism.


Now, at Saint Laurent under Anthony Vaccarello , black is once again a contemporary symbol: tuxedo dresses, leather blouses, silk georgette. Between revealing and restrained, black balances refinement and sensuality, defining the feminine contours with "shadows, not lines."





Autumn/Winter Black: Quiet Elegance Created with Texture



Autumn and winter are the seasons when black really shines.

Black is at its deepest and most beautiful in the seasons when the light is low and the air is clear.

Cashmere, tweed, silk, and lambskin - by layering the different temperatures of black for each material, the collection is not monotonous but rather creates a three-dimensional, breathing effect.


For example, pair a shiny satin shirt with matte wool pants.

Combining different black materials creates a gradation of light and shadow, creating a sense of depth despite the all-black outfit.

Adding a piece of gold jewelry will highlight the serenity of the black and create a focal point that draws the eye.


Wearing black is not about showing off something, but about leaving room for space.

The essence of black in autumn and winter fashion is to subdue flashiness and speak through texture.





Black reflects "modern luxury"



Luxury today is not about excessive decoration, but about how to portray the "beauty of silence."

A designer who paints flowers in black, like Dries Van Noten, and creates poetic expressions through layers of materials.

Like Armani, this designer uses black to "absorb" light rather than "reflect" it, and captivates with his sculpted silhouettes.

And brands like Maison Margiela treat black as a structural symbol.


What all blacks have in common is a quiet strength.

It leaves it up to the viewer to decide, quietly revealing the inner self of the wearer.

Black may be the most personal and honest color.





MOOD's take on black attire



At MOOD, we see black as the "color of beginnings" rather than the "finished form."

Layer different black materials, add a single piece of jewelry, and create a sense of rhythm with the form.

For example, pair a black Margiela knit with a Hermès scarf.

Layer a black Saint Laurent jacket over a light-absorbing dress.


What they all have in common is the strength to not appear strong.

Black is a color that never conceals the wearer, but quietly illuminates the inner self of the wearer.

MOOD will propose a style that incorporates this "talking black" into everyday life.

MOOD Products

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–SPECIAL– "Salvatore Ferragamo" 00’s reversible shearling sheep skin jacket

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–SPECIAL– "Christian Dior" 00’s historic collage-print silk chiffon large stole

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